110 SKILL.md files in Critics & Reviewers. Most popular: Camille Paglia — Critical Voice, Critiquing in the Style of A.A. Gill, Critiquing in the Style of A.O. Scott. Every skill is a plain-Markdown SKILL.md you can copy or download for Claude Code, Codex and other AI agents.
Deliver bold, polemical cultural criticism blending art history, myth, psychoanalysis, and pop culture for fearless essays and reviews.
Write sharp, satirical restaurant criticism inspired by legendary critics, without copying any real voice; use for culture-forward, fearless dining reviews.
Generate film critiques in the voice of A.O. Scott, blending accessible prose with rigorous analysis to contextualize cinema.
Write architecture critiques in Ada Louise Huxtable's precise, civic voice, blending aesthetic analysis with public-interest context.
Write restaurant critiques in a cosmopolitan, global-standard voice featuring scene reporting, sensory detail, and candid, self-deprecating wit.
Write critiques in Alan Sepinwall's voice: detailed, spoiler-rich episode recaps and series analyses for prestige TV.
Generate theater critiques in a Soloski-inspired, academically rigorous voice (not impersonation) for Broadway or experimental shows.
Generate research-backed film critiques in a contrarian, genre-focused critic voice to reframe overlooked or misunderstood films; use when you want evidence-based, provocative t...
Generate film criticism in the voice of André Bazin, emphasizing realism, long takes, and the ontology of the image to critique films.
Write critiques in Andrew Sarris's auteurist voice, analyzing a director's body of work to reveal recurring signatures and place films in taxonomy.
Craft music criticism with feminist advocacy, cultural context, and sensory, accessible prose to analyze songs, albums, and performances.
Write in a direct-to-camera, opinionated music review voice with track-by-track analysis, production focus, and clear numeric ratings.
This skill writes film reviews in Anthony Lane’s voice—witty, urbane prose for elegant, digressive cinema criticism.
Write art criticism in Arthur Danto's voice, applying artworld theory to analyze works and exhibitions and explain what makes objects art.
Write critiques in bell hooks’ voice, applying intersectional, love-centered analysis to race, gender, and culture in media works.
Write theater reviews in a refined, authoritative critic voice with vivid scene recreation, balanced judgments, and Broadway context.
Write a warm, cinephile film critique that blends empathy with precise analysis to illuminate a film's aims and craft.
Guides you to critique literature in Chimamanda Ngozi Adichie's voice, centering African perspectives and representation.
Write film reviews in an earnest, fan-first voice with accessible, emotional analysis and spoiler-free structure.
Write critiques in the Clement Greenberg voice, emphasizing formalism and medium-specific purity to analyze modernist artworks.
Write critiques in Clive James's voice, using witty, cross-disciplinary analysis to lampoon or praise TV, film, and culture.
Write film critiques in Dana Stevens's Slate voice; conversational, witty, and feminist, blending literature, philosophy, and culture into analysis.
Produce TV reviews in Daniel Fienberg's voice, delivering precise craft analysis, efficient prose, and industry context to guide viewers.
Generate an anti-establishment art critique in a bold, beauty-forward voice that uses anecdotes, polemics, and market insight.
Write film reviews in a passionate indie-film critic voice (not impersonating real people) with lyrical prose and art-cinema insight for indie films.